Alpine HDZ-110, automobilinis žemų dažnių garsiakalbis
"Alpine" pristato visiškai naują "Alpine Status" garso sistemą: "Alpine" sukūrė "Alpine Status", naudodama tas pačias inžinerijos ir dizaino koncepcijas, kurios buvo panaudotos trečiosios kartos itin didelės raiškos "AlpineF#1Status" sistemoje, kad pasiektų didelės raiškos garsą už prieinamesnę kainą. Be to, "Alpine Status" sistema yra itin lanksti: visus komponentus galima įsigyti ir naudoti atskirai.
- Rekomend. stiprintuvo galia: 200W.
- Dažnių juosta: 25Hz – 300Hz.
- Jautrumas: 84dB SPL (2.83 V x2 @ 1 m).
- Varža: 2 omai + 2 omai.
Superior Sound Performance
Alpine Introduces the all-new Alpine Status sound system: using the same engineering and design concepts drawn from the third generation, Ultra High-Resolution AlpineF#1Status system, Alpine created “Alpine Status” to achieve High-Resolution Sound at a more approachable and accessible price point. The Alpine Status system is also extreme flexible: all components can be purchased and used in “stand-alone” configuration.
The massive, 28cm HDZ-110 Alpine Status subwoofer houses a powerful ferrite magnet to ensure efficient power delivery and features an impressive 400W RMS / 1200W Peak Power Handling. A Carbon Composite cone with double-gathered surround minimizes distortion to reproduce clean, accurate bass even at loud volumes. The HDZ-110 gets very close to the AlpineF#1Status subwoofer's look and feel, using a very similar construction and motor assembly, as well as identical build-materials for highest sound quality.
Hi-Res Audio Made Accessible
The Alpine Status system features many technologies, components and materials of the AlpineF#1Status system to achieve ultra high-precision music reproduction - at an affordable price tag. It is designed to play music tracks at 192kHz / 24bit format, which are widely accessible in many online stores and streaming platforms. High-Res Audio playback of 192kHz / 24bit allows Alpine Status to create a heightened listening experience in the vehicle that emulates the feeling of an intimate recording studio session.
28cm High-Performance Subwoofer
Drawing from AlpineF#1Status subwoofer development learnings, we created the HDZ-110 Alpine Status 28cm subwoofer. It comes very close to its bigger brother’s performance, build quality and design. It features a dual 2Ohm configuration, an ultra-strong baked carbon cone, double-gathered surround, heavy-gauge screw-terminals and a huge ferrite magnet.
Carbon Fiber Cone
The HDZ-110 Alpine Status subwoofer features a backed carbon composite cone to achieve a fully unified timbre identity with the Alpine Status speakers – resulting in excellent harmonics. Carbon is very lightweight and stiff, resulting in high dynamics and low distortion. Backed carbon composite technology is also used in race-car monocoques for its light weight and high strength.
Alpine Status Full System
Alpine Status features many components that are optimized in both power and performance as a complete system to play at their intended high-resolution spec for excellent, audiophile sound quality. However, each component can be purchased independently for custom system building.
Yet another trickle-down technology from the AlpineF#1Status subwoofer: the double-gathered edge allows maximum cone excursion with excellent cone control and stability. This reduces sound distortion caused by cone wobble at higher volume levels.
Dual 2 Ohm Configuration
This subwoofer features dual 2 Ohm voice coils, allowing it to be driven by 2 mono amps. You can also create a 4 Ohm configuration by creating a series connection and use the HDA-V90’s subwoofer channel. Refer to the owner’s manual linked below to see all connection configurations.
Studio Recording Spec
Alpine Status achieves 192kHz/24Bit playback, which is 6.5 times the amount of digital audio data in a standard CD or digital streaming service and exceeds the standard High-Resolution spec of 96kHz/24Bit found in most aftermarket sound solutions. This allows Alpine Status to capture and accurately reproduce details like the breath of the artist or a musician’s subtle interaction with an instrument. This capability not only reproduces music to the artist’s original intention, but emulates the experience of a studio recording in the vehicle.